I always regarded Victoria Wood's work as brilliantly funny, but I now see that its primary function (in my eyes) is to spread joy. She was a northerner, born in Lancashire. There is something about 'northern' humour - more widely northern personalities and perceptions - that speaks my language. I suppose the technical name for her approach is 'observational humour'. Her's was always kind, perceptive and affirming of our (often quirky and conflicted) human nature. Here is a compilation of her series Dinnerladies. Such marvellous dialogue, timing and portraits of the kind of people I grew up with. Victoria Wood: comedian, actress, lyricist, singer-songwriter, composer, pianist, screenwriter, presenter, producer, director, impressionist and entertainer. More importantly, she was a good human being.
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Recently discovered, this poem by Robert Hayden.
Those Winter Sundays Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze. No one ever thanked him. I’d wake and hear the cold splintering, breaking. When the rooms were warm, he’d call, and slowly I would rise and dress, fearing the chronic angers of that house, Speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love’s austere and lonely offices? It speaks of the sacrifices many parents make, showing children love in ways they cannot at that stage appreciate, but may come to later. This poem sketches the father's (then unappreciated) work: many mothers do the same, maybe more so. Robert Hayden was American (1913-1980). This poem is dated 1962. "The poem is about the father/son relationship – recalling the poet's memories of his father, realizing that despite the distance between them there was a kind of love, real and intangible, shown by the father's efforts to improve his son's life, rather than by gifts or demonstrative affection. The author's words suggest that the son feels remorse that he failed to recognise this in his father's lifetime." (Wiki). The 'father' here was in fact Hayden's foster father. I like the use of 'offices' ("What did I know, what did I know / of love’s austere and lonely offices?"). Clergy are canonically required to 'say the Offices' of Morning and Evening Prayer. Many don't. In the Olden Days you'd need to have the Office book, a bible and other material to see what 'extras' were needed on that particular day. Now, it is all there on your tablet or phone. Convenient Offices, you might say. But there's nothing convenient about sacrificial love. That's its point and its value. Visitors to these pages (that may only be me) will have spotted various posts that excoriate sentimentality. It is a fake and devaluing response to the challenges of life. It is rife. And so I was glad to come across this in Roger Scruton's 'Confessions of a Heretic': The Czech novelist Milan Kundera made a famous observation. 'Kitsch,' he wrote, 'causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: how nice to be moved, together with all mankind, by children running on the grass!' Kitsch, in other words, is not about the thing observed but about the observer. It does not invite you to feel moved by the doll you are dressing so tenderly, but by yourself dressing the doll. All sentimentality is like this: it redirects emotion from the object to the subject, so as to create a fantasy of emotion without the real cost of feeling it. The kitsch object encourages you to think, 'look at me feeling this; how nice I am and how lovable'. That is why Oscar Wilde, referring to one of Dickens's most sickly death-scenes, said that 'a man must have a heart of stone not to laugh at the death of Little Nell'. ![]() Not long after I began social work it was common to hold generic caseloads comprising children and family cases, older persons, mental health clients and various supervision order cases. I liked the variety, though it was soon to be replaced by specialism as part of the response to greater concern about child protection. Older persons' cases were often for assessment, followed by various services such as Home Help, Day Care or respite or residential care. An assessment would cover a range of psycho-medico-social aspects. One aspect to address was continence, or rather incontinence, and whether it was single or double. I know, exciting stuff. Many years later, after I had opted for specialist children and families work and had no continuing professional cause to consider incontinence of any kind, the term suddenly found a new use in my thinking. I have often reflected on the endless volume of words some people spout, and in a flash I saw this as a new and pernicious form of incontinence. 'Incontinent of speech' became an apt (but private) description for various people I encountered. They seemed unable to shut up, dribbled uncontrollably, and mostly inept in the ability to listen. I later came across the wonderful term, to 'overtalk' and posted about that here. Some people link the overtalkers - those who are 'incontinent of speech' - with the arrival of social media platforms. For sure these provide additional avenues for endless gas-bagging, but the condition was already at epidemic levels. What is it that makes a substantial proportion of the human race gas on so much and listen so little? They have as little control over what constantly spouts from their vocal chords as the traditionally incontinent do over their sphincters. IN WESTMINSTER ABBEY - John Betjeman This is, of course, a satirical composition in which John Betjeman imagines an upper class woman attending Evening Prayer in Westminster Abbey during WWII. It is clever, and uncomfortably true. True not only of the class and disposition represented, but of the distorting mess so many of us make not only of our prayers but also our ideologies and professed attitudes. It is a lifelong process of interrogating ourselves before we begin to see, then transform, our often self-centred positions. Surely one of the purposes of prayer. Click Read More "Anthropathological enmeshment the common experience of (i) finding oneself in a difficult, painful situation; (i) recognizing the high costs, perhaps impossibility, of extrication, and (ji) experiencing a sense of impotence. An example might be that you are stressed by working conditions but are trapped by financial constraints and, even as you visualize an escape, such as downshifting, you recognize that such a move will simply enmesh you in a different set of difficulties.
Most of us are enmeshed in the conditions of capitalism but recognize that the alternatives of homelessness, voluntary austerity, communism or anarchism also have their unattractive aspects. Arguably, we are all systemically enmeshed: the whole world is faking it, and everyone is complicit in everyone else's frauds" (Miller, 2003, p. 120). Paradoxically, the ensuing sense of impotence may save us from worse anthropathological loops. I do like it when new descriptions bring to light realities one had sensed but not consciously 'seen'. "Quiet Quitters" for example, defined as those who become disillusioned with their jobs and workplaces and give up putting in additional effort. They do the bare minimum. I used to think of them as 'time servers', but quiet quitters sounds useful. And now we have "loud labourers". Yes! We have all encountered them, and now the penny drops! These are the people who spend more time talking about the amount of work they do than doing it. Braggers about their busy-ness. My, I've met many such people in a variety of settings. Tiresome people, and rather easily seen through.
![]() This BBC Radio 4 programme - one of the 'Something Understood' series, is a delightful reflection on the value of written letters. If written letters have fallen out of your life in favour of texts or emails, it is especially worth listening to. "American broadcaster Julie Shapiro began a long correspondence with her great aunt Lill following the death of Lill's husband twenty-five years ago. It lasted until Lill's own death seven years later. These letters, read by Irma Kurtz, form the central part of a programme that examines the rituals, intimacies and sustaining qualities of old-fashioned letter-writing". Link to the BBC site and programme. 'Committed suicide' or 'took her own life' rather than, plainly and more accurately, 'ended her life'. And 'lost his faith' rather than simply, and again quite possibly more accurately, 'stopped believing', or even 'gained new understanding' or even simply 'changed his mind'. I have an amateur's interest in language and especially turns of phrase, and these examples, in their common form, irritate me, as does 'committed Christian' (rendered useless by association with the fervent end of things) and 'self-confessed this or that'.
Today the Executive Director of the Aston Business School sent me a cheery email, addressing me by my first name (we have never met) and beginning: "I hope you’re well. As a senior professional at [my place of work] are you looking to take your role to the next level and become a thought leader in your field? If the answer is 'yes', then the Executive DBA (EDBA) - the highest internationally recognised business qualification available - from triple accredited Aston Business School could be just what you're looking for."
I replied: "Dear Ann: No, I’m not, but thanks for asking. I have no wish to become a ‘thought leader’ and rather regret that any sane person might even think in such terms. I do understand the pressure on universities to market themselves, but it can make for very dispiriting reading. And no mention anywhere of improving one’s skills for the common good or in the service of others..." I once viewed universities with respect. Something pretty serious seems to have overtaken them. Funny how you can miss things. Yesterday I came across the term 'overtalk'. Hugely serviceable; I don't know how I managed without it. The phenomenon, of course, is well known: people who talk too much; and not only that, but use too many words, too many sentences, to make a single point. I am much happier knowing that it has an official description. Funny that. My impression is that people generally use more words now than they did. Can that be true? Perhaps it is because the world is noisier (internet, social media, 24/7 TV, blah blah. Blah. blah indeed). Apparently the origin of 'overtalk' has been traced to the mid 19thC, used by one Edward Bulwer-Lytton (1803-1873). So people were at it even then.
When facing a seemingly endless eleboration and repetition of a simple point I have found myself interjecting 'understood'. But to little benefit. The speaker is on a roll, or perhaps too locked into a fantasy of some sort. I suspect anxiety to be at work. |
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