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Love’s austere and lonely offices

12/2/2025

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Recently discovered, this poem by Robert Hayden.

Those Winter Sundays

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,

Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?

It speaks of the sacrifices many parents make, showing children love in ways they cannot at that stage appreciate, but may come to later. This poem sketches the father's (then unappreciated) work: many mothers do the same, maybe more so. Robert Hayden was American (1913-1980). This poem is dated 1962. "The poem is about the father/son relationship – recalling the poet's memories of his father, realizing that despite the distance between them there was a kind of love, real and intangible, shown by the father's efforts to improve his son's life, rather than by gifts or demonstrative affection. The author's words suggest that the son feels remorse that he failed to recognise this in his father's lifetime." (Wiki). The 'father' here was in fact Hayden's foster father.

I like the use of 'offices' ("What did I know, what did I know / of love’s austere and lonely offices?"). Clergy are canonically required to 'say the Offices' of Morning and Evening Prayer. Many don't. In the Olden Days you'd need to have the Office book, a bible and other material to see what 'extras' were needed on that particular day. Now, it is all there on your tablet or phone. Convenient Offices, you might say. But there's nothing convenient about sacrificial love. That's its point and its value.

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Monsignor Quixote (1987) and friendship

4/2/2025

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Graham Greene's book is the last of his religious novels. It concerns the priest of the the village El Toboso who claims to be a descendant of Don Quixote. An encounter with a mysterious bishop leads to Father Quixote being honoured by the rank of Monsignor - to the annoyance of his own bishop. This 1987 film stars Alec Guiness as Father Quixote and Leo McKern as village communist mayor Sancho Zancas. It presents various themes, but the key theme to my mind is that of friendship: Quixote's friendship with the (ex) Mayor, and his friendship with God. The character is gloriously imperfect yet embodies such a wonderful approach to the Christian adventure.
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Candlemas: "I have enough". Bach does it again.

2/2/2025

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2 FEBRUARY 2025  At home, alone, on a frosty and vibrantly sunny morning, I celebrate Candlemas, aka The Presentation (of Christ in the Temple). See Luke, 2:22-40. A ‘principal feast’ in the Church of England.

Mary and Joseph present Jesus at the Temple, as required in the Torah. On arrival they encounter the aged Simeon. According to the gospel, he had been promised that "he should not see death before he had seen the Lord's Christ" (Luke 2:26). Simeon then uttered the prayer that would become known as the Nunc Dimittis, or Canticle of Simeon, which prophesied the redemption of the world by Jesus:

"Lord, now let your servant depart in peace, according to your word; for my eyes have seen your salvation which you have prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to your people Israel". (Luke 2:29–32).
 
Bach wrote his Cantata “Ich habe genug” (BWV 82) to celebrate the feast in February 1727. I first encountered it 30+ years ago, as part of my unfocussed grazing of the Bach Cantatas. It is written for bass, is (IMO) hauntingly beautiful and with just a hint of the melancholy I regard as evidence (in any art form or person) of having understood something important about life’s adventure.
 
Simeon has seen the promised child and has held in his arms this infant who is the incarnation of all hope. It has given him all he needs or wants. The encounter leaves the old man perfectly ready to die. “It is enough” (“Ich habe genug”).
 
You could say that the work is about making a proper accomodation with the prospect of one's death. The encounter fills Simeon with such gratitude, hope, and joy that he is ready for this, when it comes. What a marvellous disposition just prior to The Great Liberation.
 
Below, German baritone Christian Gerhaher with members of the Bavarian Radio Symphony Orchestra

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